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Westerns

Westerns and Western Subgenres in Film, Literature, and TV

The Acid Western

The Acid Western is heavily influenced by the 1960’s counterculture, political turmoil, and use of illicit substances during that period. This subgenre is mainly reflected in film and few works of literature, if any, pertaining to it have been published. These films reflect the culture that they were produced in by presenting audiences with alternatives to capitalism, nihilistic life views, and living in harmony with nature. Oftentimes these narratives will slip into dreamlike states that develop into a very surreal vision, and sometimes the narratives may lack cohesion or a proper structure.

History of the Subgenre

1966

Two films were released that are considered the birth of the Acid Western. These films are The Shooting and Ride in the Whirlwind. They were shot back-to-back, and both contain most of the same cast and crew including Monte Hellman, Roger Corman, Jack Nicholson, Millie Perkins, Gregory Sander. These two films differed from the Spaghetti Westerns at the time in that they were purely American productions that reflected the country's countercultural movement of the 1960s. However, they still retain the Spaghetti Western's penchant for excessive violence.

1971

A review published in New Yorker magazine written by Pauline Kael about Jodorowsky's El Topo was the first documented use of the term "Acid Western." In the review she explains how Jodorowsky's film combines Western cinema with the bohemian lifestyle and culture that emerged in the 1960s and became a more refined part of the art and culture in the 1970s.

"The avant-garde devices that once fascinated a small bohemian group because they seemed a direct pipeline to the occult and ‘the marvelous’ now reach the new mass bohemianism of youth. But the marvelous has become a bag of old Surrealist tricks: the acid-Western style is synthesized from devices of the once avant-garde"

- Pauline Kael, The New Yorker 1971

Read the full article here

 

2008

Screenwriter and author Rudolph "Rudy" Wurlitzer has his novel The Drop Edge of Yonder published. This book is one of the few works of literature that fall into the subgenre of the Acid Western. Wurlitzer had penned the scripts for Acid Westerns such as Pat Garrett and Billy the Kid (1973) and Walker (1987) that are considered classics of the subgenre. He also wrote the scripts for precursors of the subgenre like Glen and Randa (1969) and Two-Lane Blacktop (1971). In fact, this book is based on an unused screenplay titled Zebulon that had garnered interest from directors such as Sam Peckinpah and Hal Ashby. Other titles written by Wurlitzer that are in a similar vein include Nog (1968) and Flats (1970), but neither of these achieve the full Acid Western-style of The Drop Edge of Yonder.

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