The Dacoit Western subgenre originates in Indian cinema and is sometimes referred to as a "Curry Western." It comes from a merging of the Indian genre of Dacoit films with the Western genre, specifically Spaghetti Westerns. These Westerns are typically set in contemporary rural India and their outlaws are referred to as Dacoit. The name comes from a colloquial term for those involved in criminal mischief, gang violence/thievery, and/or banditry in India. This definition of the Dacoit mirrors the outlaws found in traditional American Westerns.
The Ramen Western is a subgenre of foreign films. The name originates from the film Tampopo. The film was heavily marketed as the first "Ramen Western" upon its release. Eventually, the term came to describe films from different countries in the Asian Far East (Thailand, Japan, China, etc.). All Ramen Westerns takes place in the rural and isolated locations found across these countries. A common locale for them to be filmed in is the Eurasian Steppe region because of its vast stretches of both grasslands and desert that bears a striking resemblance to the American West.
Russian Westerns are split into two categories: Red Westerns and "Osterns." The Red Western is set in the American Old West, but they are Russian productions. The Ostern is both set and filmed in Russia. Both types of Russian Westerns share common themes that relate to the ideals and principles of the Soviet Union. Even today, the films of this subgenre will be written to align politically with the Russian Federation. Like Ramen Westerns, Russian Westerns are usually filmed in the Eurasian Steppes for their visual aesthetics.
Mother India
Depicts, through one woman's life from marriage to old age, the joys and tragedies of village life in rural India.
Dry Summer
Metin Erksan's wallop of a melodrama follows the machinations of an unrepentantly selfish tobacco farmer who builds a dam to prevent water from flowing downhill to his neighbors' crops. Alongside this tale of soul-devouring competition is one of overheated desire, as a love triangle develops between the farmer, his more decent brother, and the beautiful villager the later takes as his bride.
Law of the Border
An elemental tale of smugglers contending with a changing social landscape, this neo-western centers on a quiet man who finds himself pitted against his fellow outlaws.